Biography of Dr. Mark Watkins

Mark Watkins received his baccalaureate from Brigham Young University and his masters and doctorate in five woodwind instruments from Indiana University's School of Music with secondary areas in music history and jazz studies. He has studied saxophone with C. Raymond Smith (BYU–Provo), Eugene Rousseau (IU), Daniel Deffayet (of the Paris Conservatory), and Yushi Ishiwata (of the Tokyo Conservatory); clarinet with David Randall, Earl Bates, and Howard Klug; flute with Peter Lloyd and Kathryn Lucas; oboe with Marc Lifschey; and bassoon with Rodney Ackman and Sidney Rosenberg. While at Indiana University, Dr. Watkins was afforded the opportunity to perform and study jazz and composition with David Baker and Dominic Spera.

Dr. Watkins performs regularly on all five woodwinds but prefers saxophone in both classical and jazz idioms. He has been a member of several professional ensembles including the ER Big Band, the Jazz Arts Group Big Band, the Hard-Bop Saxophone Quartet, and Swingset. He has participated in numerous CD recording projects including a 1999 release with the HBSQ (Don’t Step On Your Neck) on the Sea Breeze Jazz label. Concerning this CD, Jazz Times (5/00, p.194) states, "...Offers a delightful variety of timbres, groupings and styles....perfectly executing intense, no-nonsense jazz charts....employing clever, inventive arrangements, and many of the improvised solos...soar." His latest CD project, Swingset: My Favorite Things, on the Rock House Records label, was released in April, 2002.

Dr. Watkins’ most recent concert tour (July, 2001), with Swingset, the Brigham Young University–Idaho faculty jazz group, included performances throughout Italy including Rome, Terni, Sperlonga, Pescara, Spoletto, and L’Aquila. He is active as a composer, publishing with Walrus Music and writing commissions for concert band, jazz ensemble, solo, and chamber ensembles. He has been and is active across the United States as a clinician and adjudicator on all five woodwinds and in the classical and jazz styles.

His research into saxophone tone production has lead to regional and national presentations and clinics at such events as the 1998 Minnesota Music Educators Association Conference in Minneapolis, the 1998 Biennial Conference of the North American Saxophone Alliance in Chicago, the 1999 National Association of College Wind and Percussion Instructors’ National Symposium at Ball State University in Muncie, Indiana, the 2000 Idaho Music Educators Association Conference in Idaho Falls, and the 2000 World Saxophone Congress in Montreal, Canada. A three-part series of articles explaining the usefulness of this research will be published in the 2002 and 2003 editions of The Saxophone Symposium (Part 1 is currently available in Vol. 27, 2002).

Dr. Watkins has been an Associate Instructor at Indiana University, an Instructor at Brigham Young University, an Assistant Professor of Music at North Dakota State University, Director of Woodwind at Ricks College/BYU-Idaho, and is currently Director of Jazz Studies at Brigham Young University–Idaho in Rexburg.

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